Monday, July 22, 2013

Titus Andronicus entire play part 2



SCENE II. A room in Titus's house. A banquet set out.
Enter TITUS, MARCUS, LAVINIA and Young LUCIUS, a boy
TITUS ANDRONICUS
To LAVINIA
MARCUS ANDRONICUS
TITUS ANDRONICUS
Young LUCIUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS strikes the dish with a knife
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Exeunt
ACT IV
SCENE I. Rome. Titus's garden.
Enter young LUCIUS, and LAVINIA running after him, and the boy flies from her, with books under his arm. Then enter TITUS and MARCUS
Young LUCIUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Young LUCIUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
Young LUCIUS
MARCUS ANDRONICUS
LAVINIA turns over with her stumps the books which LUCIUS has let fall
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Young LUCIUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Helping her
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
He writes his name with his staff, and guides it with feet and mouth
She takes the staff in her mouth, and guides it with her stumps, and writes
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Young LUCIUS
MARCUS ANDRONICUS
Young LUCIUS
TITUS ANDRONICUS
Young LUCIUS
TITUS ANDRONICUS
Exeunt TITUS, LAVINIA, and Young LUCIUS
MARCUS ANDRONICUS
Exit
SCENE II. The same. A room in the palace.
Enter, from one side, AARON, DEMETRIUS, and CHIRON; from the other side, Young LUCIUS, and an Attendant, with a bundle of weapons, and verses writ upon them
CHIRON
AARON
Young LUCIUS
Aside
DEMETRIUS
Young LUCIUS
Aside
Exeunt Young LUCIUS, and Attendant
DEMETRIUS
Reads
CHIRON
AARON
Aside
DEMETRIUS
AARON
DEMETRIUS
CHIRON
AARON
CHIRON
DEMETRIUS
AARON
Trumpets sound within
DEMETRIUS
CHIRON
DEMETRIUS
Enter a Nurse, with a blackamoor Child in her arms
Nurse
AARON
Nurse
AARON
Nurse
AARON
Nurse
AARON
Nurse
AARON
Nurse
AARON
DEMETRIUS
AARON
CHIRON
AARON
DEMETRIUS
CHIRON
AARON
Nurse
AARON
DEMETRIUS
AARON
Takes the Child from the Nurse, and draws
DEMETRIUS
AARON
DEMETRIUS
CHIRON
Nurse
CHIRON
AARON
Nurse
DEMETRIUS
AARON
They sit
DEMETRIUS
AARON
Nurse
AARON
He kills the nurse
DEMETRIUS
AARON
Pointing to the nurse
CHIRON
DEMETRIUS
Exeunt DEMETRIUS and CHIRON bearing off the Nurse's body
AARON
Exit
SCENE III. The same. A public place.
Enter TITUS, bearing arrows with letters at the ends of them; with him, MARCUS, Young LUCIUS, PUBLIUS, SEMPRONIUS, CAIUS, and other Gentlemen, with bows
TITUS ANDRONICUS
MARCUS ANDRONICUS
PUBLIUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
PUBLIUS
TITUS ANDRONICUS
He gives them the arrows
MARCUS ANDRONICUS
TITUS ANDRONICUS
They shoot
MARCUS ANDRONICUS
TITUS ANDRONICUS
MARCUS ANDRONICUS
TITUS ANDRONICUS
Enter a Clown, with a basket, and two pigeons in it
Clown
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Clown
MARCUS ANDRONICUS
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Clown
TITUS ANDRONICUS
Exeunt
SCENE IV. The same. Before the palace.
Enter SATURNINUS, TAMORA, DEMETRIUS, CHIRON, Lords, and others; SATURNINUS with the arrows in his hand that TITUS shot
SATURNINUS
TAMORA
Aside
Enter Clown
Clown
TAMORA
Clown
SATURNINUS reads the letter
SATURNINUS
Clown
TAMORA
Clown
Exit, guarded
SATURNINUS
Enter AEMILIUS
AEMILIUS
SATURNINUS
TAMORA
SATURNINUS
TAMORA
SATURNINUS
TAMORA
To AEmilius
SATURNINUS
AEMILIUS
Exit
TAMORA
SATURNINUS
Exeunt
ACT V
SCENE I. Plains near Rome.
Enter LUCIUS with an army of Goths, with drum and colours
LUCIUS
First Goth
All the Goths
LUCIUS
Enter a Goth, leading AARON with his Child in his arms
Second Goth
LUCIUS
AARON
LUCIUS
A ladder brought, which AARON is made to ascend
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
AARON
First Goth
AARON
LUCIUS
AARON
LUCIUS
AARON
LUCIUS
Enter a Goth
Third Goth
LUCIUS
Enter AEMILIUS
AEMILIUS
First Goth
LUCIUS
Exeunt
SCENE II. Rome. Before TITUS's house.
Enter TAMORA, DEMETRIUS, and CHIRON, disguised
TAMORA
They knock
Enter TITUS, above
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
Exit above
TAMORA
Enter TITUS below
TITUS ANDRONICUS
TAMORA
DEMETRIUS
CHIRON
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
Enter MARCUS
MARCUS ANDRONICUS
Exit
TAMORA
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
DEMETRIUS
TAMORA
TITUS ANDRONICUS
Exit TAMORA
CHIRON
TITUS ANDRONICUS
Enter PUBLIUS and others
PUBLIUS
TITUS ANDRONICUS
PUBLIUS
TITUS ANDRONICUS
Exit
PUBLIUS, & c. lay hold on CHIRON and DEMETRIUS
CHIRON
PUBLIUS
Re-enter TITUS, with LAVINIA; he bearing a knife, and she a basin
TITUS ANDRONICUS
He cuts their throats
Exeunt, bearing the dead bodies
SCENE III. Court of TITUS's house. A banquet set out.
Enter LUCIUS, MARCUS, and Goths, with AARON prisoner
LUCIUS
First Goth
LUCIUS
AARON
LUCIUS
Exeunt Goths, with AARON. Flourish within
Enter SATURNINUS and TAMORA, with AEMILIUS, Tribunes, Senators, and others
SATURNINUS
LUCIUS
MARCUS ANDRONICUS
SATURNINUS
Hautboys sound. The Company sit down at table
Enter TITUS dressed like a Cook, LAVINIA veiled, Young LUCIUS, and others. TITUS places the dishes on the table
TITUS ANDRONICUS
SATURNINUS
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
SATURNINUS
TITUS ANDRONICUS
SATURNINUS
TITUS ANDRONICUS
Kills LAVINIA
SATURNINUS
TITUS ANDRONICUS
SATURNINUS
TITUS ANDRONICUS
TAMORA
TITUS ANDRONICUS
SATURNINUS
TITUS ANDRONICUS
Kills TAMORA
SATURNINUS
Kills TITUS
LUCIUS
Kills SATURNINUS. A great tumult. LUCIUS, MARCUS, and others go up into the balcony
MARCUS ANDRONICUS
To LUCIUS
LUCIUS
MARCUS ANDRONICUS
Pointing to the Child in the arms of an Attendant
AEMILIUS
All
MARCUS ANDRONICUS
To Attendants
Exeunt Attendants
LUCIUS, MARCUS, and the others descend
All
LUCIUS
Kissing TITUS
MARCUS ANDRONICUS
LUCIUS
Young LUCIUS
Re-enter Attendants with AARON
AEMILIUS
LUCIUS
AARON
LUCIUS
Exeunt

Titus Andronicus Summary




Titus Andronicus Summary

The Roman emperor is dead, and his sons, Saturninus and Bassianus, are agitating over who will take over the position. Saturninus declares that it is his right by primogeniture, while Bassianus declares that he deserves the throne because he has greater merit. Their bickering is interrupted by the announcement that the Roman citizens have elected the general, Titus Andronicus, newly returned from a victorious war against the Goths, as their new emperor. On that note, Titus arrives bearing the bodies of his dead sons - of his original twenty-five he has lost twenty-one in battle - as well as his Goth prisoners.
The prisoners include the queen of the Goths, Tamora, and her three sons: Alarbus, Chiron, and Demetrius. Titus orders that Alarbus be sacrificed as a gift to the Roman gods, despite the heartfelt pleading of Tamora that he spare her eldest son. He then entombs his sons and greets his daughter, Lavinia.
Marcus, his brother, informs Titus that he has been made emperor. Titus, however, declines the honor and declares Saturninus emperor. Saturninus' first imperial act is to claim Lavinia for his bride, despite of the fact that Lavinia is betrothed to Bassianus. Titus agrees to the marriage, but Bassianus steals Lavinia from Saturninus' side, claiming his just right to her. When Titus' remaining sons and brother defend Bassianus' right as well, Titus is appalled and declares them traitors. He even kills one of his sons, Mutius, who stands up to him. Saturninus is aghast and blames Titus as well as his family for the loss of Lavinia; he is somewhat ameliorated, however, by the sight of Tamora, whom he is instantly smitten with and so marries instead. Thus made empress, Tamora begs Saturninus to forgive Titus and the Andronici, meanwhile secretly promising to have her revenge on them for the sacrifice of Alarbus. After their reconciliation, the Andronici and the emperor plan to hunt together the following day.
Tamora has a Moorish lover, Aaron, whose chief joy in life is to devise villainous acts. He comes across Chiron and Demetrius arguing over which of them will woo Lavinia. Aaron suggests that during the scheduled hunt they both lead Lavinia to a secluded spot and rape her, and the boys agree. During the hunt, Aaron also plants a bag of money, planning to create further mayhem. He meets Tamora in the secluded spot he has chosen and they begin to behave amorously, only to be interrupted by Bassianus and Lavinia, who promise to report their tryst to Saturninus. Chiron and Demetrius enter before they can get away, and when Tamora tells her sons that Bassianus planned to kill her they stab him. They then prepare to rape Lavinia, who begs Tamora to intercede with her sons. Tamora, however, refuses. After dragging Bassianus' body to a hole that Aaron has scouted, they exit with Lavinia.
Aaron meanwhile fetches two more of Titus' sons, telling them that a panther is in the hole. They fall in and discover Bassianus' body. Before they can get out, Aaron brings Saturninus and Titus to the scene. He produces a letter that "proves" that Titus' sons murdered Bassianus for the gold that he hid. Saturninus instantly orders their executions, despite Titus' plea for a trial.
Chiron and Demetrius, in the meantime, have finished raping Lavinia. They mutilate her, cutting off her tongue and hands so that she cannot accuse her rapists, and leave her to be found by Marcus, who, after a long speech, brings her to her father. Titus has been pleading with the tribunes of Rome to give his sons a fair hearing, but to no avail. He is already miserable, and upon beholding his mutilated daughter he is horror-struck. Aaron arrives in the midst of his misery, claiming that the emperor will pardon Titus' sons if only one of the Andronici will chop off his hand and present it as a gift. While Marcus and Lucius search for an ax to chop off their hands, Titus has Aaron chop off his own. Aaron, however, soon returns with both his sons' heads and his hand. The Andronici woefully carry these body parts away.
Some time later, Lavinia is able to indicate to Marcus and Titus, by referring to Ovid's tale of Philomel's rape, that she has been raped. With Marcus' help, she uses a tree branch to write the names of her rapists in the sand. Titus is spurred to revenge, and begins by sending Chiron and Demetrius weapons wrapped with verses from Horace.
Aaron, meanwhile, learns that Tamora has given birth to his child. She sends the baby to him, ordering him to kill it, and Chiron and Demetrius try to do so themselves. Aaron protects his son, however, insisting that he will grow up to be heir to Rome. He kills the nurse and midwife who witnessed the birth and, in order to fool Saturninus, has Chiron and Demetrius fetch a white infant to be presented as his son. He then escapes with his son to the Goths outside of Rome, hoping to find a safe home for him.
The Andronici, meanwhile, have taken to shooting arrows wrapped in letters to the gods begging for justice into the Imperial court. Saturninus is infuriated at the suggestion that justice is not to be found in Rome, and is also worried because Lucius, whom he banished, has raised an army of Goths to depose him and has the support of the Roman people. Tamora reassures her husband that she will take care of Titus. She plans a banquet with Titus, Lucius, and the imperial family, to be held at Titus' house.
During his attempt to save his son, Aaron is captured by the Goths and taken to Lucius. Lucius is about to kill them both when Aaron strikes a bargain with him to let the baby live in exchange for a full confession of his crimes. He tells Lucius about the rape of Lavinia, the murder of Bassianus, and the many other heinous acts that he gleefully committed. Lucius, horrified by his tales, has him bound and gagged.
Tamora arrives at Titus' house to enact her plan. She comes dressed as the goddess Revenge, hoping that Titus is maddened enough by his misery to blind him to her true identity. Her sons also come in costume, as Rape and Murder. Titus, at their bidding, agrees to hold the banquet at his house and sends Revenge off to smite his enemies. He orders Revenge to leave Rape and Murder behind, however, and when Tamora is gone he reveals that he recognized them all along. He and Lavinia cooperate to murder Chiron and Demetrius, and hatch a plan to bake their flesh and blood into meat pies and serve them at the coming banquet.
The night of the banquet arrives, and Saturninus and Tamora eat the pies. Titus asks Saturninus whether the father of a raped woman should kill her, and Saturninus says that yes, he should. At that, Titus kills Lavinia, revealing that Chiron and Demetrius raped and mutilated her at the bidding of Tamora and Aaron. Titus then stabs Tamora, Saturninus stabs Titus, and Marcus stabs Saturninus. With the emperor and Titus dead, the Romans agree to elect Lucius emperor. Lucius orders that Saturninus and Titus be buried, that Tamora be left to scavengers, and that Aaron be buried up to the chest in the ground and left to starve to death

Titus Andronicus characters



Titus Andronicus  
 General of Rome and tragic hero of the play. Father of Lavinia and Lucius. Titus has spent the last ten years fighting Rome's enemies and winning honor for his country, yet his heroic deeds have taken so much out of him that he feels incapable of leading his country despite its desire that he be its new emperor. He is first held up as a model of piety for his staunch reverence for traditions, but it is this strict adherence to tradition that causes his enemies to take revenge against him. A Senecan hero, he pursues revenge to the end, and dies in the process.
Tamora

  Queen of the Goths, mother of Chiron and Demetrius. Though her very first speech shows her to be a caring mother who has an appreciation of the nobility of mercy, Tamora is associated with barbarism, savagery, and unrestrained lasciviousness. Indeed, Tamora exhibits extreme ruthlessness, particularly when she encourages her sons to rape Lavinia, and says that she knows not the meaning of pity. Even though she is opposite in everything to the archetypal victim Lavinia, feminist theorists like to cast her in the position of a victim of a male law of order. In this light, she becomes the dartboard for misogynistic fear of sexual appetite.

Aaron  

  Tamora's Moorish lover. Shakespeare only created four other black characters before the tragic hero Othello, and Aaron is the most substantial of the four. As he himself admits, there is not a crime in Titus in which he has not had a hand. He is practically the engine of action in Act II, bringing Tamora's dream of revenge to reality. This simplistic, depthless portraiture of evil is a descendant of the "Devil" or "Vice" from early Elizabethan morality plays, created only to move the audience to contempt. For that reason, there is little about Aaron to win our sympathy or to even explain the motivation for his evil. His protectiveness of his child presents an interesting contrast in parenthood to Tamora and Titus.

Lavinia 

  The only daughter of Titus Andronicus, she spurns Saturninus's offer to make her his empress because she is in love with Bassianus. She is brutally raped and disfigured by Chiron and Demetrius in the forest during the hunt. Thereafter, she is a mute and horrifying presence constantly on stage, complement to her father's loquacious sufferings, and accomplice to his bloody vengeance. Deprived of every means of communication, and robbed of her most precious chastity, she comes across as one of Shakespeare's most incapacitated heroines. Yet, as she is physically pared down, her narrative and thematic importance escalates, drawing our attention to the importance of pantomime on the stage. The rape of Lavinia is undoubtedly the central and most horrific crime of the play, which is why Edward Ravenscroft's adaptation of the play has the alternate name of "The Rape of Lavinia." For this reason, her character invites especially careful scrutiny.

Marcus Andronicus 

  Roman Tribune of the People. Brother of Titus Andronicus. Unlike the other Andronici, he never participates in the war. Where everyone else has had a hand in at least one murder or crime, he remains conspicuously removed from the bloodshed. Every time he speaks, he is the sound of reason and calmness, standing in stark contrast to the ravenous and crazed speeches of the other characters.

Saturninus 

  The eldest son of the late Emperor of Rome. Titus successfully advocates for him to be the new emperor. However, Saturninus shows no gratitude. He is impatient with the Andronici and would rather have them out of his way; he feels threatened by the genuine honor and people's support that they have won for themselves. He chooses the captive Tamora, Queen of the Goths, for his empress, thereby giving her the power to wreak havoc on Rome and Titus's family.

Bassianus

-  The younger brother of Saturninus. It is to him that Lavinia is betrothed. He steals her away when Saturninus wants to make her his empress, which sets into motion the events that lead Titus to kill his own son, and Saturninus to despise the Andronici. He is murdered by Chiron and Demetrius, but Quintus and Martius are framed for his murder, which leads to their beheadings. As the representative of grace and virtue, his failure to become emperor in the first act is the sign of a degenerate Rome.

Lucius

-  Titus's only surviving son. He defends his sister, Lavinia, from their father after she runs away with Bassianus. He tries to free his captive brothers Quintus and Martius, for which he is banished from Rome. The people of Rome support him over Saturninus. He is probably the one character to undergo a substantial psychological transformation over the course of the play, moving from bloodthirsty youth to sober leader.

Chiron and Demetrius

-  Two Goth princes. Sons of Tamora. They squabble over who loves Lavinia more, when really they are merely guided by lust. They murder Bassianus and then brutally rape and disfigure Lavinia. They are shown in this play to be nothing more than engines of lust, destruction, and depravity, empty of even the basic wit that makes Aaron a more compelling villain. They are finally killed by Titus, who has their blood and bones made into a pastry to be fed to their mother.
Martius
One of Titus' sons, falsely executed by Saturninus.
Messenger
A bearer of bad news.
Mutius
One of Titus' sons. When he defends Bassianus' right to flee with Lavinia, Titus kills him in the streets of Rome.
Nurse
A woman who brings Aaron's newborn son to him, asking him to kill it. Aaron kills her instead.
Publius
Marcus Andronicus' son.
Quintus
Another of Titus' sons, also executed by Saturninus after being framed by Aaron.
.
Sempronius
A kinsman of Titus'.
Valentine
A kinsman of Titus'.

Titus Andronicus theme

Titus Andronicus Themes Black Power Aaron the Moor was, for many years, taken to be an inexperienced young playwright's st...